Eternity

Applying the first layer of liquid silicone to the sculpture.

Retouching the bronze casts.

Giving the patina to the bronze sculpture.

Eternity

Applying the first layer of liquid silicone to the sculpture.

Retouching the bronze casts.

Giving the patina to the bronze sculpture.

Retouching the sculpture in wax, first cast of the piece in order to cast it after in bronze.

Víctor

Once the patina is done, Angèlica applies wax all over the sculpture towards protect the patina and stop the natural oxidation process of the bronze.

Víctor

Retouching the sculpture in wax, first cast of the piece in order to cast it after in bronze.

Once the patina is done, Angèlica applies wax all over the sculpture towards protect the patina and stop the natural oxidation process of the bronze.

Sculpting

Last pieces of clay to the sculpture Kèntros.

Working on Walk to Freedom, still on the early stages.

Sculpting

Last pieces of clay to the sculpture Kèntros.

Working on Walk to Freedom, still on the early stages.

Foundry

Giving the patina to Cleo.

We see here how awesome is the liquid bronze while it moves from the smelter to the melting pot. Following that, the ceramic shells get filled with the melted bronze. In the foundry process, once you’ve the sculpture in wax, you have to make a ceramic shell to it, which works as a mould. Then, you melt the wax in order to fill this empty shell with the burning liquid bronze. 

Foundry

Giving the patina to Cleo.

We see here how awesome is the liquid bronze while it moves from the smelter to the melting pot. Following that, the ceramic shells get filled with the melted bronze. In the foundry process, once you’ve the sculpture in wax, you have to make a ceramic shell to it, which works as a mould. Then, you melt the wax in order to fill this empty shell with the burning liquid bronze. 

Mould making

Applying the first layer of liquid silicone to Abril.

Applying silicone to Daniel Fukui  (private commission), also to his maquette.

Opening a silicone mould.

Applying to Walk to freedom the second layer of silicone after the first layer of the liquid sicone.

Mould making

Applying the first layer of liquid silicone to Abril.

Applying silicone to Daniel Fukui  (private commission), also to his maquette.

Opening a silicone mould.

Applying to Walk to freedom the second layer of silicone after the first layer of the liquid sicone.

Angèlica working on Destinies (2006) and on Alba i Crepuscle (2009).

Stone Carving

Stone Carving

Angèlica working on Destinies (2006) and on Alba i Crepuscle (2009).